Two facing G's cupping a single point — the binding site where a target is recognised and a result is made. It's what every diagnostic we develop is built to reach, drawn as a mark.
Primary is white on ink navy with the teal pocket. Everything else derives from it — never recolor the strokes outside this set.
The mark leads; the wordmark follows at matched optical weight. Keep clear space equal to the height of one G on every side.
The reason the mark works: even at 16 px the two G's and the pocket survive. That's the test a monogram has to pass.
It's said at the end — by the winner and the loser alike — to mean the contest was real and the result earned.
We'll take the letters, not the bravado. Here the sign-off isn't claimed at the start. A method earns GG only when it holds: valid controls, read against a cutoff, specificity confirmed against the cross-reactor — validated on real samples, not just claimed. Then — and only then — good game.
It's the same idea that runs the rest of the brand: we claim only what we can measure.
Don't separate the G's. The pocket only exists when they face each other. Pulled apart, it's just two letters.
Don't recolor the pocket. The caught point is always teal — it's the one place the accent is allowed inside the mark.
Don't add a second dot or fill the bowls. One pocket, one catch. More reads as noise, not signal.
Don't rotate or stretch it. The mirror symmetry is the whole point; skewing it breaks the read.